Biography

Born in Melbourne, Australia

Capertee Valley, N.S.W 2001-2010

Currently works from Lennox Street Studios, Newtown, Sydney, Australia

PARTICIPATING IN UPCOMING EVENTS

Curator St James Church Crypt, Sydney CBD April 2026

Lennox Street Open Studio November 2019 - 2025

Sydney Fringe Festival 17- 18th September 2022

FIABCN 2022 Fira Internacional d'Art de Barcelona 04-05 November 202

SOLO SHOWS

Solastalgia, ESD Gallery, Sydney, 2019

Extension Of The Senses, George Hall Gallery, Darlinghurst, 2018

Art Under the Influence, ESD Gallery, Darlinghurst, 2015

The Healing Show, ESD Gallery, Darlinghurst, 2013

GROUP SHOWS

Muse Gallery, ARI Show, Sydney, September 2025

          ElFaro gallery 2024

Pride Exhibition, The Sydney Art Centre, Darlinghurst 2023

Diablo Mode & GRC, The Art of Nature, ESD Gallery Darlinghurst, 2017

Sign Of The Times, ESD Gallery, Darlinghurst, 2015

When it Comes The Landscape Listens, ESD Gallery, Darlinghurst, 2014

CURATORIAL PROJECTS

Curator (East Sydney Doctors) ESD Gallery, Burton St, Darlinghurst, 2013-2020

34 solo shows, 7 group shows, including painting, sculpture, photography, and mixed media.

ART PRIZES

Northern Beaches Environmental Art Prize MAG&M 2025

National Capital Art Prize Finalist 2021

Stanthorpe Art Prize Finalist 2018

PRESS

SBS News. The exhibition Leon Fernandes: Krishna in Erskineville

https://www.theguardian.com/artanddesign/2023/mar/29/we-get-to-hear-the-stories-unpacking-the-archibald-prize-at-the-art-gallery-of-nsw

Art Edit Magazine

Lennox Street studios, Newtown, NSW, Australia

Lennox Street Open Studio Weekend Annual Event

The Capertee Valley, formative years 2001-2010

In 2000, I returned home from a three-month art residency in Switzerland at the behest of art patron Martin Schweizer to paint and exhibit new work in Bern.

On my return, I moved to the Capertee Valley on the western edge of the Blue Mountains. Nestled amidst nature's embrace, I lived alone in an isolated rustic shack on a bush property, far from the modern world. Devoid of electricity, I relied solely on candlelight and painted during the day; the sound came from the surrounding landscape and etched itself into my subconscious, returning at night as I drifted off to sleep. Moonless nights rendered my world pitch-black, leading me to contemplate and visualise my painting in the quiet, without distractions. No lights, devices or screens were constantly draining my retinas. In the magic moments between sunset and twilight, white and coloured flowers would glow with a fluorescent vibrancy under the gradation of a blue-toned sky buzzing with ultraviolet light. The night sky, clear of light pollution, appears as a ghostly grey gradation between the stars rather than the blank perceived black. My palette shifted towards higher-frequency, blue.

The landscape around me became internalised; the canvas no longer reflected life but materialised as a window, offering glimpses of the magnificence of ecosystems and the fragility of the natural world. This will always be reflected in the work. GRC.

Glen Davis, Capertee Valley, NSW Australia